About the artist

 Education

  • 2015–2018 — Floral Design Studies

  • 2019–2022 — ILS, Germany — Painting and Drawing (Malerei und Zeichnen)

  • 2019–2026 — Independent study with artists from Russia and the USA

  • 2024–2025 — Mentorship with contemporary artist Gleb Skubachevsky

  • 2025 — MoMA (Museum of Modern Art, New York) — Contemporary Art

  • 2026Art Gallery, Exhibition Curating and Artist Management, course with curator Tina Ziegler

Art Fairs

  • 2024 — World Art Dubai, Dubai, UAE

  • 2024 — ArtAnkara, Ankara, Turkey

  • 2019 — Art Shopping, Carrousel du Louvre, Paris, France

Solo Exhibitions

  • 2025 — Pop-up Solo Exhibition, Stade, Germany

  • 2021 — Solo Exhibition, Deinste, Germany

  • 2020 — Solo Exhibition, Wohnzimmer305, Hamburg, Germany

Group Exhibitions

  • 2025 — Copelous Family Art Museum, Greece

  • 2023 — The Holy Art Gallery, London, UK

  • 2021 — Marziart International Gallery, Hamburg, Germany

  • 2021 — Creative Alliance, Grace Denker Gallery, Hamburg, Germany

  • 2020 — Urban Concept, Grace Denker Gallery, Hamburg, Germany

  • 2019 — Timeless Impact, Grace Denker Gallery, Hamburg, Germany

  • 2019 — Alpen Galerie, Oberammergau, Germany

Publications

  • 2014Mittwochs Journal

  • 2019–2020International Floral Art Magazine

  • 2019–2020Art Craft Living

  • 2021MarziArt Magazine

  • 2023Artist CloseUp Magazine, November issue

  • 202530×30 Project

Selected Series

Migration
The Lost Choice
The Forgotten Mother


Artists statement

My artistic practice explores women’s position in a changing world and the ways in which women adapt to social, cultural and personal transformation.

Despite rapid changes in technology and society, women’s lives continue to be shaped by deeply rooted expectations, pressures and limitations. I am interested in how women redefine their roles, bodies and inner freedom within these structures — and what forms of resilience and self-determination emerge from this process.

The central figure in my work is woman as a creator — an image connected to nature, life, and the ability to generate and sustain existence. This figure is both vulnerable and powerful: shaped by external structures, yet capable of profound internal transformation.

Visually, I combine the female body with geometric and architectural structures. Strict lines and constructed spaces meet soft, organic forms, creating tension between systems and lived experience.

I work across painting, printmaking and textile, using texture and material as tools for exploring memory, environment and cultural heritage. Fabric, thread, pigment and layered surfaces become part of the narrative, revealing complex connections between the body, labour and history.

This subject emerged from lived experience rather than from an external concept. Growing up within traditional values, I gradually came to recognise that many things I had considered natural were, in fact, social constructs. Motherhood became a profound experience of self-discovery, while also revealing the boundaries imposed by the role.

Today, women have more opportunities for self-realisation than ever before, yet inherited expectations continue to bind them to home, family and prescribed roles. The tension between what is inherited and what is possible has become one of the central forces behind my artistic practice.