About the artist
Education
2015–2018 — Floral Design Studies
2019–2022 — ILS, Germany — Painting and Drawing (Malerei und Zeichnen)
2019–2026 — Independent study with artists from Russia and the USA
2024–2025 — Mentorship with contemporary artist Gleb Skubachevsky
2025 — MoMA (Museum of Modern Art, New York) — Contemporary Art
2026 — Art Gallery, Exhibition Curating and Artist Management, course with curator Tina Ziegler
Art Fairs
2024 — World Art Dubai, Dubai, UAE
2024 — ArtAnkara, Ankara, Turkey
2019 — Art Shopping, Carrousel du Louvre, Paris, France
Solo Exhibitions
2025 — Pop-up Solo Exhibition, Stade, Germany
2021 — Solo Exhibition, Deinste, Germany
2020 — Solo Exhibition, Wohnzimmer305, Hamburg, Germany
Group Exhibitions
2025 — Copelous Family Art Museum, Greece
2023 — The Holy Art Gallery, London, UK
2021 — Marziart International Gallery, Hamburg, Germany
2021 — Creative Alliance, Grace Denker Gallery, Hamburg, Germany
2020 — Urban Concept, Grace Denker Gallery, Hamburg, Germany
2019 — Timeless Impact, Grace Denker Gallery, Hamburg, Germany
2019 — Alpen Galerie, Oberammergau, Germany
Publications
2014 — Mittwochs Journal
2019–2020 — International Floral Art Magazine
2019–2020 — Art Craft Living
2021 — MarziArt Magazine
2023 — Artist CloseUp Magazine, November issue
2025 — 30×30 Project
Selected Series
Migration
The Lost Choice
The Forgotten Mother
Artists statement
My artistic practice explores women’s position in a changing world and the ways in which women adapt to social, cultural and personal transformation.
Despite rapid changes in technology and society, women’s lives continue to be shaped by deeply rooted expectations, pressures and limitations. I am interested in how women redefine their roles, bodies and inner freedom within these structures — and what forms of resilience and self-determination emerge from this process.
The central figure in my work is woman as a creator — an image connected to nature, life, and the ability to generate and sustain existence. This figure is both vulnerable and powerful: shaped by external structures, yet capable of profound internal transformation.
Visually, I combine the female body with geometric and architectural structures. Strict lines and constructed spaces meet soft, organic forms, creating tension between systems and lived experience.
I work across painting, printmaking and textile, using texture and material as tools for exploring memory, environment and cultural heritage. Fabric, thread, pigment and layered surfaces become part of the narrative, revealing complex connections between the body, labour and history.
This subject emerged from lived experience rather than from an external concept. Growing up within traditional values, I gradually came to recognise that many things I had considered natural were, in fact, social constructs. Motherhood became a profound experience of self-discovery, while also revealing the boundaries imposed by the role.
Today, women have more opportunities for self-realisation than ever before, yet inherited expectations continue to bind them to home, family and prescribed roles. The tension between what is inherited and what is possible has become one of the central forces behind my artistic practice.